Close ☰
Menu ☰

Monthly Archive: October 2018

  • Broadcasters will be able to apply for funds to produce programming for young audiences and public service audio content. The Department for Digital, Culture, Media and Sport (DCMS) has confirmed how £60 million, unspent from the previous licence fee settlement (levied on every TV owner in the UK) is to be allocated. In a change to […]
  • SPL of Germany is now shipping the new Crescendo 8-channel microphone preamplifier, which operates with an internal operating voltage of 120 V. It has a discrete construction with proprietary high-voltage amplifiers, SPL’s own SUPRA operational amplifiers, and an internal operating voltage of +/- 60V. With 120V total internal voltage, a technology similar to SPL’s IRON Mastering Compressor, it’s […]
  • Prism Sound has upgraded its SADiE 6.1 software, introducing a number of long-awaited enhancements and bug fixes. Available as a 64-bit version of SADiE 6 for native operation and also for the SADiE BB2 Radio Editor system and LRX2 Flexible Location Recorder, SADiE V6.1.13 updates the system’s core to be fully compatible with Windows 10. “The […]
  • The new Yamaha RIVAGE PM7 Digital Audio Console made its debut at AES NY 2018. Positioned directly below the current RIVAGE PM10 Digital Mixing System with emphasis on preserving workflow, the CSD-R7 is the same size as the RIVAGE PM10 system CS-R10 control surface but with the DSP engine built into the console offering enhanced […]

Translate »