Close ☰
Menu ☰

Audioguy goes immersive with Genelec in Korea

Posted on: Tuesday 18th of February 2020

In the heart of Seoul is a unique recording space which has taken a different approach to many Korean studios. Focusing on acoustic music, including classical jazz and the ‘Gukak’ style of Korean classical music, the facility has chosen a Genelec 7.1.4 monitoring system based around ‘The Ones’ coaxial three-way monitors, to enable it to fully embrace immersive recording techniques.

The main recording space at Audioguy differs from others in the country since it consists of one large room which accommodates multiple artists together – rather than a series of isolated recording booths. By adopting this approach, the studio has been able to take advantage of the unique acoustic qualities of its recording room. “Typically, studios make the reverberation time as short as possible in order to record mostly the direct sound from the source, whereas Audioguy has a longer reverberation time of 2.7 seconds, more like a concert hall,” explains Jung-Hoon Choi, founder of Audioguy Studios. “We are able to record not only the direct sound from the source to the mic, but also a lot of reflected sound from the walls, ceiling and the floor. Our intention here is to produce music with a unique and colourful sound.”

This kind of environment has made recording in 7.1.4 an interesting process. “With the very long reverberation time, our recordings can emphasise the full benefits of 7.1.4 immersive audio by capturing all the resonances and the reverberation of the room,” says Choi. “We can record using an ambisonic microphone to capture the immersive atmosphere, and spot mics to capture the individual instruments. However, the ambisonic and spot mics tend not to blend well together, so we have tried to separate the two different microphone configurations by using the ambisonic mic to cover the .4 channel content, as well as the rear channel source. The front and side sources are then covered by the additional spot mics next to the instruments in order to capture the unique and atmospheric feel of the content.”

The results of this process are monitored and mixed using Genelec coaxial Smart Active Monitors, supplied by Genelec’s local Korean distribution partner Sama Sound. The system comprises three 8351As as LCR, eight 8331A monitors as surrounds and overheads – with a 7370A subwoofer handling LF duties, and the entire system configured, calibrated and controlled using Genelec GLM software.

“When you need to mix 7.1.4 immersive audio properly in a limited space, accurate monitoring is essential. The Ones’ point source quality is a must, and I would be very confused when making mix decisions without the standardised in-situ corrections of frequency response, level and delay offered by Genelec’s GLM software,” reflects Choi. “Using this system, the 11 individual monitors sound exactly as they should – which is very much focused. So, we can mix in the most precise and accurate way, and when the mixing is done, GLM makes it very convenient and easy to switch between 3D, binaural and stereo formats and analyse the differences.”

Having supplied the system, Sama Sound have themselves been able to deploy the studios as the perfect location for listening sessions and seminars, such is the extremely high quality of the monitoring environment. Looking to the future, Choi is also determined to get the best out of the new setup at Audioguy Studios. “As we now have this beautiful 7.1.4 immersive audio system, we will be actively recording, mixing and mastering more immersive audio content,” he states. “Aside from their extraordinary accuracy, it’s actually very interesting and fun to work with Genelec monitors!”

www.genelec.com



Latest News & Blog articles

  • In the tracks of its UF8 DAW controller, SSL has launched a new, software-specific control surface for its channel strip and bus compressor plug-ins.  With the UF8 now established as its main DAW control option, SSL is expanding its line of controllers with the UC1 – which brings the familiar layout and ergonomics of its […]
  • FAMA, a boutique record label with an emphasis on artist development, has built a destination recording complex in the Dominican Republic with the help of WSDG Latin. Available for creative retreats, song writing camps, and recording and mixing, the FAMA facility is “their dream studio”, delivered by WSDG Partner/Project Manager, Sergio Molho. “They found a […]
  • An interesting feature of Merging’s Anubis Ravenna interface, reviewed in Resolution V21.1, was the potential for it to completely change its functionality through the update of its ‘Missions’ – essentially its configuration and operation settings. The unit launched with one such Mission – monitor control – but now an update from the manufacturers is set […]
  • Eddie Kramer never tired of the experience, in this 2009 interview (Resolution V8.4) with Nigel Jopson, he talked Woodstock, Hendrix, heavy metal and 5.1 DVDs. After studying classical piano at the South African College of Music, Eddie moved to the UK with his family and got his first studio job at PYE in 1964, where […]
  • Based on the design of the company’s 6066 Subminiature Headsets, DPA‘s two new options feature the brand’s 5mm round microphone capsule, for use in broadcast, worship, theatre and conferencing. Providing a one-size-fits-all design, and adjustable height and boom length, the 4466 and 4488 headsets accommodate a wide range of head sizes. They also employ a […]
  • Rising pop producer Pete Rycroft (aka Lostboy) has seen chart-topping success in the UK during lockdown thanks to work undertaken in his private studio, which is built around a Patch software-driven analogue routing system. “When Covid hit, I was really lucky to have this space to work in,” he says. “The first thing I did […]
  • The Birmingham, UK-based Audio Suite facility has made a move to a historic building in the City’s Jewellery quarter and appointed engineer, mixer and producer Marcus Byrne as director of UK audio post-production. The move will see a master control room with Avid HDX2 running Pro Tools Ultimate through an Avid D-Command ES console, coupled […]
  • A group led by producer Harvey Mason Jr (left). has acquired Burbank’s neighbouring Evergreen and Enterprise Studios, and is in the process of installing two new SSL Duality Fuse consoles in order continue targeting high-profile recording, film and television projects
. The five-time Grammy nominated producer, songwriter and movie producer has also taken on the twin […]
Translate »