Close ☰
Menu ☰

iZotope RX7 introduces many new features – including 7.1.2

Posted on: Thursday 11th of October 2018

The new software has landed at Resolution studios, and we’re enjoying reviewing the many new tools:
Repair Assistant – in the style of Ozone 8’s assistant – this is an intelligent helper that can detect noise, clipping, clicks, hum and so on, fixing common audio issues faster.
Music Rebalance – is a source separation tool that allows you to enhance or isolate elements of an audio track. Drums too loud? Vocals not loud enough? Re-animate a mix using its four sliders. You can also create instrumental versions of songs by removing vocal elements, or isolate the vocal to prepare a remix.
Time & Pitch – You can  alter pitch without affecting the timing of your audio and conversely, alter the time without affecting pitch with the new Variable Time and Variable Pitch modules.
Dialogue Contour – improve the performance of a spoken line by altering the pitch contour of the dialogue to adjust the intonation of the speaker. Select a region of audio you wish to alter, and then click and drag to adjust the contour curve.
Dialogue De-Reverb – post engineers will like this – the brand new Dialogue De-Reverb module aims to reduce ambience and reverb around dialogue.
Dolby Atmos! – RX7 Now supports multichannel which means you can easily edit one, multiple, or all channels of audio (up to Dolby Atmos 7.1.2) using any of your favorite repair modules.

www.izotope.com



Latest News & Blog articles

  • RCF Group today announced the signing of a definitive agreement for the acquisition of DPA Microphones A/S (“DPA”) from The Riverside Company. DPA, based in Allerod, Denmark, is well known to Resolution readers for high-end professional audio microphones for live, broadcast, theatre and studio recording applications. RCF Group, with Headquarters in Italy and branches in the USA […]
  • Dorico 2 now includes real-time MIDI recording, an overhauled MIDI transcription engine, new features for media musicians and jazz, and dozens of other improvements across the whole application. Dorico 2.0 introduced a suite of features aimed at helping composers, orchestrators, and copyists working in media music for film, TV, and games, including support for composing […]
  • Sage Audio Mastering Studio, located in the heart of Nashville, Tennessee has Blues music deep in its roots. Owner Steve Corrao tells us more… “The Blues [Ed note – yeah, Blues with a capital B!]  is one of the most soulful genres in all of music. When we talk about mastering this genre, we have […]
  • Canada’s MacEwan University in Edmonton, Alberta are confident their students will benefit from a benchmark experience, recording with their API  32 channel Legacy Plus console in the university’s brand new recording studio space. Designed by David Kotch of Criterion Acoustics, the studio boasts top notch studio gear, which MacEwan sought in establishing an unparalleled recording […]
  • Stage Tec has upgraded two of Flemish broadcaster VRT’s OB trucks with powerful RMDQ audio DSP units. The HD01 and HD02 OB vans were each equipped with six DSP boards in their NEXUS STAR routers. With them, the OB trucks are now ready for all production requirements. For example, depending on the configuration, 44 mix […]
  •  Grey Noise Studio has installed a Neve Genesys Black G32 as the centrepiece of its state-of-the-art studio, located in the heart of Times Square. The impressive facility boasts two recording studios and three production suites including the largest live room in New York City. The enthusiastic duo behind Grey Noise is Christina Chirumbolo and Stephanie […]
  • RØDE’s new RØDECaster Pro is an all-in-one solution for podcasters. It’s a mixer, recorder and sample playback unit rolled into one with separate inputs for 3.5mm TRRS, Bluetooth, and USB sources. Four onboard Class A preamps can supply phantom power to condenser microphones for podcast presenters who can each monitor via four headphone outputs. Eight colour […]
  • In 1994 Grace released their first production unit, the Model 801 mic preamplifier featuring independent circuit boards for each channel, gold contact rotary gain controls wired with precision metal film resistors, a musical sounding ‘transimpedance’ (current feedback) gain stage, gold contact sealed relay signal switching, and no electrolytic capacitors in the signal path. Twenty years […]