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  • Posted on: Wednesday 7th of November 2018

    New firmware for the Yamaha MMP1 studio monitor management system has been announced which adds a range of refinements, including support for the CB Electronics TMC-1 monitor controller. The MMP1 is a signal processor which incorporates advanced monitor control and a comprehensive range of audio processing functions, to support contemporary production workflows, in one compact rack-mountable […]
  • Posted on: Wednesday 7th of November 2018

    The BDA4 transformer coupled, 4-channel digital-to-analogue converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R&D experience in pro audio digital and analogue design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4 utilises the newly developed BOPA14 with […]
  • Posted on: Wednesday 7th of November 2018

    Teaming up with German headphone manufacturer Ultrasone, ADAM have launched a closed-back design employing Ultrasone’s patented S-LOGIC technology. According to ADAM, this technology improves spatial imaging and also has the effect of requiring lower SPLs at the eardrums (as much as 40% less, or 3-4dB) for the same perceived level. During the product’s design, the […]
  • Posted on: Wednesday 7th of November 2018

    “A master processor designed for today’s hybrid studio” – Fusion offers five analogue processors chosen for their sonic colouration abilities. The new rack unit is intended to bring that final polish to your in-the-box mix. The first of the five new analogue processors is Vintage Drive. Described as a non-linear harmonic enhancement circuit, it’s aimed at […]
  • Posted on: Tuesday 23rd of October 2018

    API presented their new 2448 recording and mixing console for the first time at this year’s AES Convention in New York. Pictured is API president and owner Larry Droppa (L) with engineer/studio owner Dave Trumfio at the launch of the 2448. Trumfio has bought the first 32-channel version of the desk, to be installed in his […]
  • Posted on: Friday 19th of October 2018

    Coinciding with its 40th anniversary year, Genelec announced the founding of the Genelec Dr. Ilpo Martikainen Audio Visionary Scholarship, at the AES (Audio Engineering Society) expo in New York City this week. The scholarship – to the value of $5,000 – will be offered annually to US graduate students (and also members of AES) in […]
  • Posted on: Friday 19th of October 2018

    Developed together with Abbey Road Studios, the TG Mastering Chain plugin is a modular mastering chain plug-in modeled after the EMI TG12410 Transfer Console used in Abbey Road’s mastering suites. The TG12410 has been used on albums like Pink Floyd’s The Dark Side of the Moon, Nirvana’s In Utero, Radiohead’s OK Computer and Ed Sheeran’s + . […]
  • Posted on: Friday 19th of October 2018

    Broadcasters will be able to apply for funds to produce programming for young audiences and public service audio content. The Department for Digital, Culture, Media and Sport (DCMS) has confirmed how £60 million, unspent from the previous licence fee settlement (levied on every TV owner in the UK) is to be allocated. In a change to […]
  • Posted on: Friday 19th of October 2018

    SPL of Germany is now shipping the new Crescendo 8-channel microphone preamplifier, which operates with an internal operating voltage of 120 V. It has a discrete construction with proprietary high-voltage amplifiers, SPL’s own SUPRA operational amplifiers, and an internal operating voltage of +/- 60V. With 120V total internal voltage, a technology similar to SPL’s IRON Mastering Compressor, it’s […]
  • Posted on: Friday 19th of October 2018

    Prism Sound has upgraded its SADiE 6.1 software, introducing a number of long-awaited enhancements and bug fixes. Available as a 64-bit version of SADiE 6 for native operation and also for the SADiE BB2 Radio Editor system and LRX2 Flexible Location Recorder, SADiE V6.1.13 updates the system’s core to be fully compatible with Windows 10. “The […]