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  • Posted on: Thursday 31st of January 2019

    At NAMM, a welcome selection of new products were on display, to emphasise Harman Professional Solution’s commitment to audio. The recently-introduced JBL One Series 104 monitors draw on JBL Professional’s engineering experience to deliver a speaker designed from the ground up for desktop use, featuring a new-design 4.5-inch coaxial driver that provides a full range performance […]
  • Posted on: Thursday 31st of January 2019

    Audinate, developer of Dante audio networking technology, has announced Dante AV, a first-of-its-kind integrated audio and video-over-IP solution for manufacturers. Dante AV is a complete integrated audio and video networking solution, bringing to video all the benefits that have made Dante the market-leading audio over IP solution: discovery, ease-of-use and integrated control. Dante AV enables […]
  • Posted on: Thursday 31st of January 2019

    South Carolina Educational Television (SCETV) is outfitting its brand-new 45-foot production truck with Calrec Audio’s Brio36, following the installation of a Brio12 in its new, small uplink truck. The Brio units are the heart of each truck’s audio processing system. The larger production truck is being outfitted by Diversified, a well-known, full-service systems and media […]
  • Posted on: Thursday 31st of January 2019

    Winners in 23 technical and eight creative excellence categories were announced at the 34th Annual NAMM TEC AWARDS, Saturday, January 26, from the NAMM Show in Anaheim, CA. Presented by The NAMM Foundation and held annually, the event recognises the exemplary achievements and innovations behind the sound of recordings, live performances, films, television, video games […]
  • Posted on: Thursday 31st of January 2019

    The AXR4 features four Neutrik combo inputs and two individual headphone outputs on the front side. On the rear panel are eight TRS line inputs and eight TRS line outputs alongside two pairs of ADAT I/O doubling as S/PDIF, the second of which provides an alternative AES/EBU Sub-D connector. The MIDI input and output next […]
  • Posted on: Monday 21st of January 2019

    Featuring two discrete instances of Cranborne Audio’s 500-series ‘Camden’ preamp with the same Mojo analogue saturation circuit that engineers and musicians the world over have fallen in love with, Camden EC2 achieves low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. Combined with Cranborne Audio’s custom Mojo analogue saturation […]
  • Posted on: Tuesday 15th of January 2019

    In 2018, Calrec Audio were BIG IN JAPAN – selling 40 of its Brio audio consoles to a number of Japanese broadcasters. The customers are a mix of existing and new. The installations were provided by Calrec’s exclusive Japanese distributor, Hibino Intersound, which said the customers are using their Brios in a variety of ways, including for […]
  • Posted on: Friday 11th of January 2019

    Audio Precision announced the introduction of the APx555 B Series analyser, part of their B Series APx audio analysers. The second-generation APx555 offers improved sine generator frequency stability, lower system residual distortion, single-ended, balanced analogue output and an optional ADC test mode which provides VBias, a common mode DC Bias. The arrival of the B […]
  • Posted on: Friday 11th of January 2019

    Sometimes the best things in audio are FREE! We’re opening up our archive so you can read interviews with production pros like Steve Mac, Chuck Ainley, Gil Norton, Spike Stent, Ben Hillier, Neil Davidge, Danton Supple, Greg Penny, Tony Maserati, Ken Nelson, Youth, Joe Chicarelli, Tony Visconti, Hugh Padgham, Mike Oldfield and many more. There’s […]
  • Posted on: Thursday 10th of January 2019

    “We have noticed that while mixing, producers and engineers want ultimate control over the width and depth of each of the instruments,” said Robin Reumers, Co-founder of Leapwing Audio. “We spent many months in R&D developing a transparent method to change the width and depth perception of a stereo recording, even moving sources outside of […]

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