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Resolution/Refreshed!

Posted on: Friday 15th of December 2017

res-refresh2018 will see a refreshed and renewed Resolution launched into the high-end pro-audio marketplace. We have a clearer and sharper presentation style, while offering the same level of technical expertise and insight, cutting-edge features and reports, and dynamic articles which will entertain and inform. We’ll be extending coverage of trends and business issues directly affecting industry professionals. Plus, there will be a few new voices added to the trusted editorial message you enjoy and respect.
In addition, we shall be rejuvenating the look and feel of the newsletter (sent to our database of 20,000 Resolution readers – twice a month from January 2018) and offering many other digital opportunities to our partners, alongside the flagship print presence.
In April, for the rst time, we shall be introducing an entirely digital NINTH issue which will be sent to the complete database (print, digital, newsletter), covering events and launches from NAB and Prolight + Sound. Ahead of this there will be a pro-audio@frankfurt supplement in the March issue. We’ll be revealing more about all this early in 2018!



Latest News & Blog articles

  • The new T8V studio monitor is the latest addition to its T-Series line of professional studio monitors which offer  ADAM Audio performance, quality and reliability at a value price point. ADAM say the new T8V offers “performance and specifications unprecedented in its price class”, with a frequency response that reaches down 33Hz and the ability to […]
  • The company behind Seventh Heaven (read our review from Resolution V16.4) and Lustrous Plates reverb plug-ins have announced their latest reverb, Cinematic Rooms, offering immersive sound, powerful tools and full Dolby Atmos compatibility. Cinematic Rooms is a reverb dedicated to the intense acoustic demands of surround room simulation. Advanced surround workflow tools allow you to design […]
  • IBC organisers finally bowed to the inevitable and cancelled the world’s second largest broadcast trade show today, 19th May. The show was scheduled to take place in Amsterdam Sept 11-14th.  Resolution editor Nigel Jopson said: “I spend a lot of time in the Netherlands, and IBC’s dogged insistence ‘the show would go on’ seemed misplaced, and […]
  • McDSP introduced their latest addition to the APB hardware product line, the APB-8 Analog Processing Box. The APB-8 is an eight (8) channel version of the APB-16, as reviewed in Resolution 18.4 with identical functionality and capability. The McDSP Analog Processing Boxes (APB-16, APB-8) combine the flexibility of software with the fidelity of premium analog processing. […]
  • The Audio and Radio Emergency Fund has been created to help those in the radio and audio sector who are facing hardship because of the coronavirus crisis. Most importantly, the fund is operating on a ‘rolling’ basis from Monday–Monday, unlike some other benevolent funds (many of which are now closed to new applications). The urgent […]
  • Europe’s preeminent professional audio technology event for 2020 will now be online, subsequent to the cancellation of  the in-person components of the AES Vienna Convention scheduled for May 2-5. REGISTER HERE AES Virtual Vienna 2020 continues the finest traditions of AES Convention Technical Programs, but in an online format adapted to the realities of a world […]
  • The ongoing relationship between Hardwell, Genelec and studio designer Jan Morel has created a third recording facility, with the completion of the DJ and producer’s holiday home studio in Curacao. The new facility offers a completely different look and feel from Hardwell’s main studio in the Netherlands, but with the same reference sound quality and […]
  • CEDAR invented spectral editing – and still hold the patents to it. CEDAR offered us a sneak preview of Retouch 8, which adds two remarkable new capabilities to the original spectral editor. Matching Applying machine learning to identify problems… There are many occasions when you will encounter similar instances of unwanted sounds in a track […]
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