Close ☰
Menu ☰

Solid State Logic joins Sennheiser’s ‘AMBEO for VR’ program

Posted on: Tuesday 9th of April 2019

Sennheiser and Solid State Logic (SSL) have announced their cooperation within the framework of the AMBEO for VR partnership program. Solid State Logic’s S500, S300 and TCR System T broadcast mixing consoles will now feature onboard AMBEO A-B conversion for the Sennheiser AMBEO VR Mic.

“We are extremely happy to welcome Solid State Logic to our partnership program,” said Véronique Larcher, AMBEO Immersive Audio co-director at Sennheiser. “Our AMBEO VR Mic and SSL’s System T consoles are trailblazers in immersive audio broadcasting. “With this partnership, we are making the workflows for the creation of immersive formats far easier.”

“The partnership with Sennheiser AMBEO expands our growing functionality to provide processing for multiple audio formats for immersive and three-dimensional audio; channel-based, objects, Ambisonics and binaural,” commented Tom Knowles, SSL Broadcast Product Manager. “System T now provides on-board A-B format conversion support for the AMBEO VR Mic, with a 360 transcoder to render to a wide range of multi-channel outputs from 4.0 to 7.1.4. This allows our clients to use the AMBEO VR Mic to add ambient sound to a live immersive production or provide decoding for a live VR mix.”

Direct conversion for easy workflows
The AMBEO A-B converter works hand in hand with SSL’s 360 transcoder. While the former provides the processing-ready B-format from the Ambisonics AMBEO VR Mic, the latter converts this signal to a broad range of output formats and loudspeaker arrangements, ranging from 4.0. to 5.1.4 and 7.1.4. Broadcast engineers will be able to record and process immersive content with far greater ease, and without the need for any additional physical equipment.

www.sennheiser.com

 



Latest News & Blog articles

  • Genelec has unveiled the first model in its new Signature Series with the introduction of the two-way 6040R Smart Active Loudspeaker. Created in conjunction with Harri Koskinen, the 999 mm (39.33″), floor-standing, 6040R continues an association between himself and the Finnish industrial designer that goes back 20 years to the 6040A, and his work on […]
  • A mono/stereo-only version of its well-received convolution reverb software, Paragon ST strips out the surround functionality of the original and adds new features to make it better suited for stereo music production applications. Interestingly, some of these new features will now be ported across to the multi-channel application too for musicians interested in mixing in […]
  • Comprising of two new headphones and two new mics, the PRO X series from Beyerdynamic is aimed at both studio users and ‘digital creators’ in more mobile environments. The headphones – named DT 700 PRO X and DT 900 PRO X – will sit alongside the well-established DT lines, offering open- and closed-back designs that […]
  • SoundGirls, the non-profit established to provide support and empowerment for women and non-binary persons working in professional audio, has announced the roster for its upcoming Virtual Conference, due to take place on December 4th and 5th, 2021. With women, non-binary and BIPOC still making up only 5% of the professional workforce in audio and music production, […]
  • Solid State Logic has launched a new DAW plug-in development programme, that will bring with it scheduled monthly releases of “premium software production tools.” The first example of this is a duo of Fusion processor modules, though between now and April 2022 the company has pledged to launch “a series of studio quality tape echo, […]
  • The Alliance for IP Media Solutions (AIMS) has recently published an array of free educational resources related to media over IP for broadcast and Pro AV. The collection of presentations, papers, and solutions now available on the AIMS website highlights progress in achieving an all-IP ecosystem using open standards, offers forward-looking perspectives on IP workflows, […]
  • Sound Particles’ Space Controller software offers the facility to pan in surround and immersive directly from the palm of your hand. Using twinned plug-ins for various DAWs, and a phone app, objects can be panned in formats from stereo to 7.1.2, ambisonics to binaural by reorienting a mobile device. “We felt that using knobs, joysticks […]
  • DPA Microphones and KLANG:technologies have teamed up to create an immersive in-ear monitoring system for singers and musicians. The solution integrates DPA’s 5100 Mobile Surround Microphone and Klang’s ground-breaking Immersive Mixing Processor. In addition to the benefits of Klang’s panning capabilities, the use of DPA surround mics replaces the need for large quantities of microphones […]
Translate »